Fabrication française / Made in France

Marque et modèles déposés.

Registered trademarks and designs.

Document non contractuel.

Edition janvier 2022 : remplace tous les catalogues précédents.

Non-contractual document.

Crédit photos / Photo:

frédéric et simon jaulmes, romuald chaigneau, françois portmann, alain rivière-lecœur, patrick eoche, dominique

nachez, cécile langlois, rené m. stocker, alexandre réty, martin baitinger, eric bouloumié, sophia logez, ernst peter

prokop, harald c. sahling, studio garnier, karin ansara, martina kimmerle, maren stöver, josep jordi, di baio editore

s.p.a., françois allaire et ses élèves de l’esma que nous remercions, getty image.

Nous remercions les architectes qui nous ont aidés à réaliser des prises de vue /

We would like to thank the architects who helped us with the shooting:

david hybre, claude bay, sir norman foster, domespace, paul l’hermite, jean-luc rossi, pierre ritouet, patrick ducros,

philippe finck, alain garcia, alain marquès, dominique molard, patrick vidal, martin andersch, gilles delaporte,

m.arents, bernard ferrari, stéphane foulon, alain clauzel, philippe jaulmes, pierre toure, jean-louis villard, antoine

garcia-diaz, delphine gay, nathalie silovy, jonathan bovis, renzo piano, paola navone, fukuo taniwaki, isay weinfeld,

christoph ingenhoven, marcio kogan, theis+khah, alventosa morell arquitectes, westway architects, max pritchard

architect, geneviève tardif, styfhals architecten, vincent coste, gray puksand, am architecture, rainer disse...

Chromie / Photo touching up: j-m génot, Montpellier, France.

Impression / Printed by: DEUXPONTS Manufacture d'Histoires, Grenoble, France.

FOCUS

Groupe Atelier Dominique Imbert

SAS au capital de 101 197 euros

34380 Viols-Le-Fort / France

+33 (0)4 67 55 01 93

info@focus-creation.com

Be humble. Unless we discover the secret to immortality,

will always owe a debt to an original spark...

A spark that has come very close to falling into oblivion.

Fire became simply a way to provide heat,

relegated to a corner of our daily lives.

While once vital, it became banal: it was dying of boredom.

For more than 50 years, on every continent,

and put it at the centre of the living space, to make it the focus of attention

– to the extent of being exhibited in design museums.